{"id":172,"date":"2016-09-22T01:37:57","date_gmt":"2016-09-21T22:37:57","guid":{"rendered":"http:\/\/localhost\/enguru\/?p=172"},"modified":"2016-09-22T01:37:57","modified_gmt":"2016-09-21T22:37:57","slug":"cinucen-tanrikorur","status":"publish","type":"post","link":"https:\/\/enguru.org.tr\/index.php\/2016\/09\/22\/cinucen-tanrikorur\/","title":{"rendered":"Cinu\u00e7en Tanr\u0131korur"},"content":{"rendered":"

20 \u015eubat 1938 tarihinde, \u0130stanbul-Fatih\u2019te d\u00fcnyaya geldi. M\u00fcnir Nurettin Sel\u00e7uk\u2019un \u00f6\u011frencisi olan amcas\u0131 Mecdinevin Tanr\u0131korur\u2019dan 2.5-3 ya\u015flar\u0131ndan itibaren me\u015fk ederek m\u00fbs\u0131k\u00ee ile; bestek\u00e2r ve keman\u00ee Mustafa Sunar\u2019\u0131n ud \u00f6\u011frencisi olan annesi sayesinde de ud ile tan\u0131\u015ft\u0131. 14 ya\u015f\u0131ndayken, Ferahn\u00e2k saz sem\u00e2\u00eesi ile bestek\u00e2rl\u0131\u011fa ba\u015flad\u0131.<\/p>\n

\u0130talyan Lisesi\u2019ni ve Devlet G\u00fczel Sanatlar Akademisi Y\u00fcksek Mimarl\u0131k B\u00f6l\u00fcm\u00fc’n\u00fc bitirdikten sonra Ankara\u2019da, \u0130mar ve \u0130sk\u00e2n Bakanl\u0131\u011f\u0131\u2019nda i\u015fe girdi. 1973-1982 y\u0131llar\u0131 aras\u0131nda TRT Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc b\u00fcnyesinde programc\u0131l\u0131ktan daire ba\u015fkanl\u0131\u011f\u0131na kadar \u00e7e\u015fitli g\u00f6revlerde bulundu. 1987 y\u0131l\u0131nda Konya\u2019da, Sel\u00e7uk \u00dcniversitesi E\u011fitim Fak\u00fcltesi\u2019ne ba\u011fl\u0131 M\u00fczik E\u011fitimi B\u00f6l\u00fcm\u00fc’n\u00fc kurdu.<\/p>\n

1989 y\u0131l\u0131nda, b\u00f6brek rahats\u0131zl\u0131\u011f\u0131n\u0131n tedavisi amac\u0131yla K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 taraf\u0131ndan ABD\u2019ye g\u00f6nderildi. Burada bulundu\u011fu s\u00fcrede Maryland ve Princeton \u00fcniversitelerinde \u00f6rnekli iki konferans verdi; Turkish Music Quarterly dergisinde iki \u00f6nemli makalesi yay\u0131nland\u0131; hat sanat\u0131n\u0131 \u00f6\u011frendi ve mevcut eserlerine 117 eser daha ilave etti. 28 Haziran 2000 tarihinde de vefat etti.<\/p>\n

Ud icras\u0131nda, kl\u00e2sik Tanbur tavr\u0131na yak\u0131n, kendine \u00f6zg\u00fc bir stilin sahibi olan ve \u0130ngilizce, Frans\u0131zca, \u0130talyanca, Latince ve az Arap\u00e7a bilen Tanr\u0131korur\u2019un, T\u00fcrk m\u00fbsik\u00eesi \u00fczerine say\u0131s\u0131z makalesi, yurt i\u00e7inde ve 22 ayr\u0131 \u00fclkede verilmi\u015f pek \u00e7ok tebli\u011f, konferans ve ud resitali vard\u0131r. \u0130\u00e7lerinde Mevlev\u00ee Ayinleri de olmak \u00fczere \u00e7e\u015fitli formda 500 civar\u0131nda eser bestelemi\u015ftir. Frans\u0131z radyosunca uzun \u00e7alar\u0131 yap\u0131lan ilk kl\u00e2sik T\u00fcrk m\u00fczi\u011fi sanat\u00e7\u0131s\u0131d\u0131r.<\/p>\n

Cinu\u00e7en Tanr\u0131korur\u2019un Bestelerinde Kulland\u0131\u011f\u0131 Form, Makam, Usuller ile G\u00fcfte ve G\u00fcfte \u015eairlerine Dair Bir \u0130nceleme\u2026<\/strong><\/em>
\n Salih Zeki \u00c7avdaro\u011flu<\/strong><\/em><\/p>\n

Bug\u00fcn repertuvar ar\u015fivlerimizde zengin bir makam say\u0131s\u0131 i\u00e7inde 505 bestesi bulunmaktad\u0131r. Bu bestelerin her biri, melodi, seyir, ge\u00e7ki ve kompozisyon \u00f6zellikleri bak\u0131m\u0131ndan adeta ders nitelikli \u00f6rneklerdir\u2026 Beste \u00fcretirken \u00f6ylesine fedakar ve h\u0131zl\u0131 bir mesai i\u00e7indedir ki, hayat\u0131n\u0131n son y\u0131llar\u0131nda , \u201c\u2026 tedavi olmak i\u00e7in gitti\u011fi ABD\u2019den d\u00f6n\u00fc\u015f\u00fcnde; kendisini kar\u015f\u0131layan o d\u00f6nemin K\u00fclt\u00fcr Bakan\u0131\u2019na, \u2018 Devlet\u2019e olan \u015f\u00fckran borcumu \u00f6demek i\u00e7in 73 besteyle d\u00f6n\u00fcyorum \u2018 dedi\u011finde, K\u00fclt\u00fcr Bakan\u0131 kendisine; \u2018 \u00d6yle \u015fey olur mu? Bir sanat\u00e7\u0131 devletine bor\u00e7lu olur mu hi\u00e7. As\u0131l devlet, sanat\u00e7\u0131s\u0131na \u015f\u00fckran bor\u00e7ludur ve bor\u00e7lu olmal\u0131d\u0131r. Yapt\u0131\u011f\u0131 hizmetlerden dolay\u0131\u2019 \u015feklinde \u2026\u201d T\u00fcrk mus\u0131kisinin son d\u00f6nemde yeti\u015ftirdi\u011fi be\u015f \u00f6nemli bestek\u00e2r say\u0131lsa, ku\u015fkusuz Cinu\u00e7en Tanr\u0131korur (1938-2000) geride b\u0131rakt\u0131\u011f\u0131 eserleriyle bu listenin i\u00e7inde rahatl\u0131kla yer alacak bir isimdir.<\/p>\n

\u00dcst\u00e2d, 62 y\u0131ll\u0131k \u00f6mr\u00fcn\u00fcn b\u00fcy\u00fck bir k\u0131sm\u0131nda hayat\u0131n\u0131 kazanmak i\u00e7in mimarl\u0131k, y\u00f6netecilik gibi g\u00f6revler yan\u0131nda, bir de gen\u00e7 ya\u015f\u0131ndan itibaren yakaland\u0131\u011f\u0131 hastal\u0131klarla da didi\u015fmek zorunda kal\u0131r.<\/p>\n

B\u00fct\u00fcn bu olumsuzluklara ra\u011fmen , geride b\u0131rakt\u0131\u011f\u0131 bestelerinin nitelik ve nicelik y\u00f6n\u00fcnden zenginli\u011fi ise, m\u00fczikle ilgilenen herkesi \u015fa\u015f\u0131rtacak ve hayran b\u0131rakacak bir olgudur.<\/p>\n

<\/p>\n

Beste \u00fcretirken \u00f6ylesine fedakar ve h\u0131zl\u0131 bir mesai i\u00e7indedir ki, hayat\u0131n\u0131n son y\u0131llar\u0131nda , \u201c\u2026 tedavi olmak i\u00e7in gitti\u011fi ABD\u2019den d\u00f6n\u00fc\u015f\u00fcnde; kendisini kar\u015f\u0131layan o d\u00f6nemin K\u00fclt\u00fcr Bakan\u0131 \u0130stemihan Talay\u2019 a, \u2018 Devlet\u2019e olan
\n\u015f\u00fckran borcumu \u00f6demek i\u00e7in 73 besteyle d\u00f6n\u00fcyorum \u2018 dedi\u011finde, K\u00fclt\u00fcr Bakan\u0131 Talay\u2019 \u0131n kendisine; \u2018 \u00d6yle
\n\u015fey olur mu? Bir sanat\u00e7\u0131 devletine bor\u00e7lu olur mu hi\u00e7. As\u0131l devlet, sanat\u00e7\u0131s\u0131na \u015f\u00fckran bor\u00e7ludur ve bor\u00e7lu
\nolmal\u0131d\u0131r. Yapt\u0131\u011f\u0131 hizmetlerden dolay\u0131\u2019 \u015feklinde \u2026\u201d (1) cevap verme gere\u011fi duyar.<\/p>\n

Bir ba\u015fka kaynakta ise :<\/p>\n

\u201c\u2026B\u00f6brek nakil ameliyat\u0131 i\u00e7in K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131nca g\u00f6nderildi\u011fi ABD\u2019de 2 y\u0131l i\u00e7inde besteledi\u011fi 117 eser
\naras\u0131nda \u015eehnaz ve \u00c7argah makamlar\u0131nda iki Kl\u00e2sik tak\u0131m\u2026\u201d bulundu\u011fu belirtilmektedir. (2)
\n.Bir ud virt\u00fc\u00f6z\u00fc olup, ud icras\u0131nda adeta bu saz\u0131 kl\u00e2sik bir tambur tavr\u0131 ile , en az m\u0131zrap vuru\u015fuyla \u00e7alarak
\ndaha \u00e7ok melodi elde etmeyi ba\u015farmas\u0131 ile yetinmeyip, bestecili\u011fini de ge\u00e7mi\u015fteki yerle\u015fik anlay\u0131\u015f yerine
\nkendine \u00f6zg\u00fc bir anlay\u0131\u015fla s\u00fcrd\u00fcrd\u00fc.
\nBu g\u00fcn repertuvar ar\u015fivlerimizde onun zengin bir makam say\u0131s\u0131 i\u00e7inde toplam 505 bestesi bulunmaktad\u0131r. Bu
\nbestelerin her biri, melodi, seyir, ge\u00e7ki ve kompozisyon \u00f6zellikleri bak\u0131m\u0131ndan adeta ders nitelikli \u00f6rneklerdir.
\nBu \u00f6zelli\u011fi en \u00e7ok bilinen K\u00fcrdilihicazk\u00e2r \u015fark\u0131s\u0131 \u201c G\u00fcnayd\u0131n\u0131m, nar \u00e7i\u00e7e\u011fim\u201d de oldu\u011fu gibi, H\u00fcseyni \u201c K\u00f6yde
\nSabah\u201d isimli saz eserinde ve s\u00f6zleri Aziz Mahmud H\u00fcdai\u2019 ye ait \u00c7argah beste \u201c \u00c2\u015f\u0131k\u0131n ol mahb\u00fbb-i b\u00ee hemt\u00e2
\nimi\u015f\u201d inde ve de \u00f6zellikle deYahya Kemal\u2019in \u2018Itr\u00ee\u2019 ba\u015fl\u0131kl\u0131 \u015fiirine yapt\u0131\u011f\u0131 \u2018Rast Destan \u2019 \u0131nda rahatl\u0131kla
\nfarkedebiliriz.
\nHalktan bir gence \u00e2\u015f\u0131k olan Hint prensesi Anarkali\u2019nin, sevgilisi ile birlikte oldu\u011fu bir yerde , babas\u0131n\u0131n
\naskerlerince yakalan\u0131rlar. Kral\u2019 \u0131n emriyle askerler Anarkali\u2019yi, diri diri duvara g\u00f6merler. Prensesin g\u00f6m\u00fcld\u00fc\u011f\u00fc
\nyerde, her bahar nar \u00e7i\u00e7ekleri a\u00e7t\u0131\u011f\u0131na dair bir efsaneden yola \u00e7\u0131kan Hal\u0131c\u0131 bundan yola \u00e7\u0131karak;
\n\u201c \u015eavk\u0131mas\u0131, sana do\u011fru yollar\u0131n
\nSana do\u011fru, denizlerin \u00e7a\u011fr\u0131s\u0131
\n\u00c7\u0131r\u0131l \u00e7\u0131r\u0131l \u00f6telerde bir g\u00fczel
\nG\u00fcnayd\u0131n\u0131m, nar \u00e7i\u00e7e\u011fim, sevdi\u011fim.
\n\u00c7\u0131kmaz sokaklarda bu minyat\u00fcr kim?
\nBu g\u00f6\u011f\u00fcs kim, ya bu g\u00f6zler, bu sa\u00e7lar?
\nUzak bir \u00f6zlemde ayak seslerin
\nG\u00fcnayd\u0131n\u0131m, nar \u00e7i\u00e7e\u011fim, sevdi\u011fim.
\nK\u0131rk odan\u0131n k\u0131rk\u0131nda da k\u0131rk g\u00fczel
\nK\u0131rk aynada \u00e7engi \u00e7engi bir g\u00fczel
\n\u00c7a\u011flar \u00f6tesinde bir avu\u00e7 nota
\nG\u00fcnayd\u0131n\u0131m, nar \u00e7i\u00e7e\u011fim, sevdi\u011fim
\nBu y\u0131ld\u0131zlar do\u011fan g\u00fcn\u00fc \u00e7a\u011fr\u0131\u015f\u0131r
\nBu g\u00fcnd\u00fczler g\u00f6zlerini \u00e7a\u011fr\u0131\u015f\u0131r
\nYa kimlere verdin avu\u00e7lar\u0131n\u013131 32014 Cinu\u00e7en Tanr\u0131korur\u2019un Bestelerinde Kulland\u0131\u011f\u0131 Form, Makam, Usuller ileG\u00fcfte veG\u00fcfte \u015eairlerine Dair Bir \u0130nceleme\u2026 Salih Zeki \u00c7avdaro\u011flu : Mus\u2026
\nhttp:\/\/www.musikidergisi.net\/?p=1251 5\/11
\nG\u00fcnayd\u0131n\u0131m, nar \u00e7i\u00e7e\u011fim, sevdi\u011fim.
\nVurdum tellerine seni, saz\u0131m\u0131n
\nSende anahtar\u0131, al\u0131n yaz\u0131m\u0131n
\nYa\u011fmur ya\u011fmur serpil yaln\u0131zl\u0131\u011f\u0131ma
\nG\u00fcnayd\u0131n\u0131m, nar \u00e7i\u00e7e\u011fim, sevdi\u011fim. \u201c
\ns\u00f6zlerini ta\u015f\u0131yan \u015fiiri yazar. \u201cAnarkali \u201c de zaten Hint dilinde nar \u00e7i\u00e7e\u011fi anlam\u0131na gelmektedir. Bu \u015fiir de
\nCinu\u00e7en Tanr\u0131korur taraf\u0131ndan K\u00fcrdilihicazk\u00e2r makam\u0131nda bestelenir ve y\u0131llard\u0131r hi\u00e7 bitmeyen bir zevk ve
\nheyecanla dinlenilmektedir.
\nS\u00f6zleri Fahri T\u00fcz\u00fcn\u2019 e ait olan :
\n\u201cEtti\u011fin cevri bile kendime nimet bilirim\/ K\u00fcsemem baht\u0131ma ben, sevmeyi k\u0131smet bilirim\/ Eremem vasl\u0131na,l\u00e2kin
\nerebilsem de yine\/ Doyamam vuslat\u0131na, kendimi hasret bilirim.\u201d
\ng\u00fcfte,Cinu\u00e7en Bey taraf\u0131nda bestelenir ve ciddi konserlerin vazge\u00e7ilmez \u201c H\u00fczzam\u201d lar\u0131ndan biri olur.
\nYine G\u00fcng\u00f6r Fahri T\u00fcz\u00fcn\u2019 \u00fcn s\u00f6zleri \u201c \u0130ndirip yerlere benden ka\u00e7\u0131r\u0131p g\u00f6zlerini\u201d s\u00f6zleriyle ba\u015flayan \u015fiirini yine
\nH\u00fczzam makam\u0131 ile besteler. Bu \u015fark\u0131 da gerek s\u00f6zleri ve gerekse m\u00fczi\u011fiyle adeta bir Cinu\u00e7en Tanr\u0131korur
\nimzas\u0131d\u0131r.
\n\u201c Yakut, mine,z\u00fcmr\u00fct bana birdir kayalarla\u201d hicaz repertuvar\u0131m\u0131zda ayr\u0131cal\u0131kl\u0131 yerini al\u0131r. Bu bestenin s\u00f6zleri ise
\n\u00fcnl\u00fc \u015fairimiz \u015e\u00fck\u00fbfe Nihal Ba\u015far\u2019 a aittir.
\nTanr\u0131korur \u00f6zg\u00fcn bestek\u00e2rl\u0131k \u00f6zelli\u011fini y\u0131llar i\u00e7inde edindi\u011fi bilgiler i\u00e7inde kazanm\u0131\u015fsa da, bunun temel ta\u015f\u0131n\u0131n,
\nyarad\u0131l\u0131\u015f\u0131ndan ona ba\u011f\u0131\u015flanan bir yetenek oldu\u011fu da ink\u00e2r edilemez. Zira hen\u00fcz 14 ya\u015f\u0131nda iken bestek\u00e2rl\u0131\u011fa
\nba\u015flay\u0131\u015f\u0131n\u0131 kendi dilinden \u015f\u00f6yle anlat\u0131r:
\n\u201c\u2026. Efendim, l952 y\u0131l\u0131 bestelerimi fiilen saklamaya ba\u015flad\u0131\u011f\u0131m, yani \u20191 numara \u2018 verdi\u011fim bestemi yapt\u0131\u011f\u0131m
\ny\u0131ld\u0131r. Bu ilk bestem, bir Ferahnak Sazsem\u00e2\u00eesi idi. l4 ya\u015f\u0131mda idim. Ayn\u0131 y\u0131l i\u00e7inde g\u00fcftesi Fuz\u00fbl\u00ee\u2019ye ait
\nDevrihind\u00ee us\u00fbl\u00fcnde bir \u015eevkefz\u00e2 \u015fark\u0131 da besteledim. \u00c7ocuk denecek ya\u015fta biri i\u00e7in, Ferahnak Sazsem\u00e2\u00eesi ve
\n\u015eevkefz\u00e2 makam\u0131nda bir \u015fark\u0131 bestelemek \u00f6nemli bir\u015fey olsa gerek. Bu ya\u015f\u0131mda Ferahnak, \u015eevkefz\u00e2 gibi
\nmakamlar\u0131 biliyor ve beste yapabiliyorsam, tabii olarak daha k\u00fc\u00e7\u00fck ya\u015flardan itibaren bunlar\u0131n haz\u0131rl\u0131\u011f\u0131 i\u00e7inde
\noldu\u011fum s\u00f6ylenebilir\u2026.\u201d (3)
\nMus\u0131kimizin zengin makam \u00e7e\u015fitleri ile de yetinmeyip, \u201cG\u00fclb\u00fbse\u201d, \u201c\u015eeddisab\u00e2\u201d, ve \u201dZavil-a\u015f\u00eeran\u201d isimleriyle
\nyeni makamlar geli\u015ftirip, bu makamlardan eserler de besteleyerek, teorik bilgi ve yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n da ne kadar
\nzengin oldu\u011funu ortaya koymu\u015ftur.
\nCinu\u00e7en Hoca b\u00fct\u00fcn ya\u015fant\u0131s\u0131nda son derecede titiz, ince eleyip, s\u0131k dokuyan ve olduk\u00e7a se\u00e7ici bir ki\u015filiktir.
\nBu \u00f6zelli\u011fi onun g\u00fcfte se\u00e7iminde \u00e7ok belirgin g\u00f6r\u00fcl\u00fcr. B\u00fct\u00fcn eserleri i\u00e7inde, bir tane bile zevksiz ve niteliksiz
\ng\u00fcfteye rastlayamazs\u0131n\u0131z. Zaten g\u00fcftelerini ald\u0131\u011f\u0131 \u015fair isimlerine bakarsan\u0131z, onlardan k\u00f6t\u00fc bir \u015fiir bulman\u0131n
\nimk\u00e2ns\u0131zl\u0131\u011f\u0131 ortaya \u00e7\u0131kar.
\n\u00dcst\u00e2d bir m\u00fcl\u00e2kat\u0131nda \u015fiirin bestecili\u011findeki \u00f6nemini \u015fu c\u00fcmle ile a\u00e7\u0131klar :
\n\u201c\u2026 Benim ilerideki ud m\u00fbsik\u00eemi ve bestecili\u011fimi haz\u0131rlayan iki temel unsur klasik edebiyat? Yani \u015fiir? ve ses
\ne\u011fitimidir\u2026.\u201d (4)
\nTanr\u0131korur\u2019 un bestecili\u011finde , dini mus\u0131ki \u00f6nemli bir yer tutar. \u00c7\u00fcnk\u00fc o son derecede ina\u00e7l\u0131 ve m\u00fctedeyyin bir
\ninsand\u0131r. Bu y\u00f6n\u00fcn\u00fc \u00f6mr\u00fc boyunca b\u00fcy\u00fck bir co\u015fku ile ya\u015fam\u0131\u015ft\u0131r. \u00d6yle ki :
\n\u201c Yal\u00e7\u0131n \u00c7etinkaya\u2019n\u0131n dilinden vefat an\u0131yla ilgili k\u0131sm\u0131 aktaral\u0131m: \u201cVefat\u0131ndan iki g\u00fcn \u00f6nce tedavi g\u00f6rd\u00fc\u011f\u00fc
\nhastane odas\u0131nda kendisini son kez g\u00f6rmek nasip oldu. Ellerinden \u00f6pt\u00fcm. Hel\u00e2lle\u015ftik. Tam o s\u0131rada \u00f6\u011fle ezan\u0131
\nba\u015flad\u0131. Merhum Cinu\u00e7en Bey ezan bitene kadar \u2018L\u00e2 il\u00e2he ill\u00e2llah Muhammedun Rasulullah\u2019 zikriyle ezana
\ne\u015flik etti\u2026.\u201d(5)31 32014 Cinu\u00e7en Tanr\u0131korur\u2019un Bestelerinde Kulland\u0131\u011f\u0131 Form, Makam, Usuller ileG\u00fcfte veG\u00fcfte \u015eairlerine Dair Bir \u0130nceleme\u2026 Salih Zeki \u00c7avdaro\u011flu : Mus\u2026
\nhttp:\/\/www.musikidergisi.net\/?p=1251 6\/11
\nTasavvufi bestelerinin \u00e7o\u011funun g\u00fcftelerini ona \u00f6zel bir muhabbet besledi\u011fi Aziz Mahmud H\u00fcdai Hazretleri\u2019
\nnden alm\u0131\u015ft\u0131r. \u201c Ba\u011f-\u0131 a\u015fk\u0131n andel\u00eebi Hazret-i \u00dcft\u00e2de\u2019dir\u201d s\u00f6zleriyle ba\u015flayan \u015fiirinden yapt\u0131\u011f\u0131 Bayati Tev\u015fih\u2019 i
\n\u00f6rnek bir eserdir. Ayr\u0131ca Hz. Mevlan\u00e2,Yunus Emre \u015fiirlerine de ilgisiz kalamaz.
\nDind\u0131\u015f\u0131 eserlerinde ise Fuzul\u00ee, Bak\u00ee,Nedim Nef\u2019i gibi divan \u015fairlerinden ve Mehmed Akif, Yahya Kemal,
\nFaruk Nafiz \u00c7aml\u0131bel ve Mustafa Nafiz Irmak gibi 20. y\u00fczy\u0131l \u015fairlerinden ald\u0131\u011f\u0131 g\u00f6r\u00fclecektir. Bunlar\u0131n yan\u0131nda
\nherhalde en \u00e7ok g\u00fcftelerini besteledi\u011fi \u015fair Mehmet Turan Yarar\u2019 d\u0131r. Onun ,takriben elli taneden fazla \u015fiirini
\nbestelemi\u015ftir. Ayr\u0131ca, Neyzen Tevfik , Mehmet \u00c7\u0131narl\u0131, Turhan O\u011fuzba\u015f gibi isimler de bestecimizin tercih
\netti\u011fi isimlerdir.
\nElbette bu \u015fairleri se\u00e7mesi bir rastlant\u0131 de\u011fildi. Kendi melodilerini yarat\u0131rken, o melodilerle \u00f6rt\u00fc\u015fen bir s\u00f6z
\nk\u00fcmesini arar ve buldu\u011funda da adeta kuyumcu titizli\u011fiyle yo\u011fun bir mesai verirdi.
\n\u00c7\u00fcnk\u00fc ;
\n\u201c\u2026Cinu\u00e7en Tanr\u0131korur, T\u00fcrk mus\u0131kisinin geleneksel konumuna ba\u011fl\u0131l\u0131\u011f\u0131 bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fc olarak temell\u00fck
\netmi\u015fbir besteci olarak an\u0131lacakt\u0131r. Bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fc, evet, -\u00e7\u00fcnk\u00fc, kl\u00e2sik mus\u0131kimizi, sadece bir melodi
\nda\u011far\u0131n\u0131n formel anlamda yeniden \u00fcretiminden ibaret bir teknik mesele olarak ele alan bestecilerimizden
\nde\u011fildir Cinu\u00e7en Tanr\u0131korur\u2026\u201d (6)
\nFuz\u00fbl\u00ee\u2019nin 54 m\u0131sral\u0131 M\u00fcseddes \u015fiirinden muhte\u015fem bir k\u00e2r besteler.
\nNe\u015fati\u2019 nin \u201c Gitdin amma ki kodun hasret ile can\u0131 bile\/ \u0130stemem sensiz olan sohbet-i yaran\u0131 bile\/ S\u00eeneden derd
\nile bir ah edeyim kim d\u00f6ns\u00fcn\/ Aksine \u00e7erh-i felek mihr-i d\u0131rah\u015fan\u0131 bile \u201c s\u00f6zlerinden olu\u015fan gazelini M\u00e2hur
\nmakam\u0131nda , \u201c beste\u201d formunda Devr-I keb\u00eer usul\u00fc ile melodile\u015ftirir.
\nYahya Kemal\u2019 in 18 \u015fiirini bestelemi\u015ftir. Bunlar\u0131n i\u00e7inden\u201cItr\u00ee\u201d ,\u201cS\u00fcleymaniye\u2019de Bayram Sabah\u0131\u201d, ,
\n\u201cSonbahar\u201d ve \u201cMehlika Sultan\u201d ba\u015fl\u0131kl\u0131 \u015fiirlerinden ortaya koydu\u011fu yepyeni formlarda besteler meydana
\ngetirir.
\nBu bestelerde O kadar ba\u015far\u0131l\u0131 olmu\u015ftur ki, bilindi\u011fi gibi Yahya Kemal\u2019 in ya\u015fad\u0131\u011f\u0131 d\u00f6nemde \u201c..\u015fiirlerini, sesini
\nve tavr\u0131n\u0131 \u00e7ok sevdi\u011fi,meclisinde bulundurmaktan zevk ald\u0131\u011f\u0131 M\u00fcmir Nureddin taraf\u0131ndan bestelenmesini
\nasl\u0131nda pek istemez, yapt\u0131klar\u0131n\u0131 be\u011fenmezmi\u015f. Ancak bana \u00f6yle geliyor ki, e\u011fer Cinu\u00e7en Tanr\u0131korur\u2019un
\nbestelerini dinleseydi, \u2019Tamam, derdi, benim de arad\u0131\u011f\u0131m ses bu\u2019\u2026\u00c7\u00fcnk\u00fc on sekiz besteden hi\u00e7 biri, varl\u0131\u011f\u0131n\u0131
\nbor\u00e7lu oldu\u011fu \u015fiire ihanet etmedi; aksine derinden kavray\u0131p kucaklad\u0131,sar\u0131p sarmalad\u0131\u2026\u201d (7)
\nMus\u0131k\u00ee formu se\u00e7iminde polifonik m\u00fczi\u011fin, maj\u00f6r min\u00f6r gamlar\u0131n\u0131 kullanarak beste \u00fcretti\u011fi gibi, , g\u00fcn\u00fcm\u00fczde
\nart\u0131k hi\u00e7 \u00fcretilmeyen formlardan Mevlev\u00ee \u00c2yinini, yeni bir anlay\u0131\u015fla Bayat\u00ee-Araban, Evcara, Z\u00e2vil-A\u015f\u0131ran ve
\nNi\u015f\u00e2burek makamlar\u0131ndan ve bunun yan\u0131nda i\u00e7inde 63 makam bar\u0131nd\u0131ran K\u00e2r da bestelemi\u015ftir.
\nO\u2019 nun besteledi\u011fi eserlerin b\u00fct\u00fcn\u00fcne bakt\u0131\u011f\u0131m\u0131zda , toplam 65 de\u011fi\u015fik makam\u0131 kulland\u0131\u011f\u0131 anla\u015f\u0131l\u0131yor. Yapt\u0131\u011f\u0131
\nb\u00fct\u00fcn bestelerde 41 eserle en \u00e7ok tercih etti\u011fi makam\u0131n Hicaz oldu\u011funu g\u00f6r\u00fcyoruz.
\n\u0130kinci olarak kulland\u0131\u011f\u0131 makam K\u00fcrdilihicazk\u00e2r\u2019 d\u0131r. Bilindi\u011fi gibi \u015fark\u0131 formumuzu geli\u015ftiren Hac\u0131 Arif Bey
\ntaraf\u0131ndan bulunmu\u015f ve en g\u00fczel eserlerini bu makamla meydana getirilmi\u015ftir. T\u00fcrk mus\u0131kisinin M\u00e2hur ve
\nNihavent ile birlikte t\u0131n\u0131 olarak en parlak makamlar\u0131ndan biridir. Klasik repertuvar\u0131m\u0131zda 24.000\u2019 e yak\u0131n
\neserin takriben 1000 kadar\u0131 bu makamdan bestelenmi\u015f eserlerden olu\u015fur.Bu da 350\u2019 den fazla \u00e7e\u015fidi bulunan
\nmakamlar\u0131n 1\/20\u2019 si kadar bir orana kar\u015f\u0131l\u0131k olarak b\u00fcy\u00fck bir rakamd\u0131r.
\nDaha sonraki s\u0131ralamalara bakt\u0131\u011f\u0131m\u0131zda, 27 eserde Ni\u015f\u00e2burek, 25 makamla Nihavent, ayn\u0131 say\u0131yla B\u00fbselik,18
\neserle Rast,ayn\u0131 say\u0131da Seg\u00e2h, 17 eserle H\u00fczz\u00e2m,16 eserde D\u00fcg\u00e2h, 15 eserde Evc\u00e2ra, ayn\u0131 say\u0131da H\u00fcseyn\u00ee,
\n14 eserde U\u015f\u015f\u00e2k, ayn\u0131 say\u0131da Hicazk\u00e2r,13 eserde \u015eehn\u00e2z,12 eserdeZ\u00e2vila\u015fir\u00e2n,11 eserde Bey\u00e2tiarab\u00e2n, 10
\neserde \u015eevkefz\u00e2 ve ayn\u0131 say\u0131da Neveser, 9 eserde Sultaniyeg\u00e2h, ayn\u0131 say\u0131da Bestenig\u00e2r,, 8 eserde Nikriz,31 32014 Cinu\u00e7en Tanr\u0131korur\u2019un Bestelerinde Kulland\u0131\u011f\u0131 Form, Makam, Usuller ileG\u00fcfte veG\u00fcfte \u015eairlerine Dair Bir \u0130nceleme\u2026 Salih Zeki \u00c7avdaro\u011flu : Mus\u2026
\nhttp:\/\/www.musikidergisi.net\/?p=1251 7\/11
\nayn\u0131 say\u0131da \u00c7arg\u00e2h, ayn\u0131 say\u0131da Muhayyerk\u00fcrd\u00ee,ayn\u0131 say\u0131da M\u00e2hur, ayn\u0131 say\u0131da Karc\u0131\u011far makam\u0131n\u0131
\nkulland\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz.
\nBunlardan ba\u015fka 41 de\u011fi\u015fik makamda daha beste \u00fcretmi\u015ftir.
\nTRT\u2019 nin 2005 y\u0131l\u0131ndaki kay\u0131tlar\u0131na g\u00f6re , ba\u015flang\u0131c\u0131ndan g\u00fcn\u00fcm\u00fcze T\u00fcrk Mus\u0131kisi repertuvar ar\u015fivimizde, 286
\nfarkl\u0131 makamdan bestelenmi\u015f toplam 23.592 saz ve s\u00f6z eseri bulunmaktad\u0131r. Bunlar\u0131n makamlara g\u00f6re
\nda\u011f\u0131l\u0131mlar\u0131n\u0131 g\u00f6steren tabloya g\u00f6re, en fazla eser bulunan ilk 20 makam :
\n.
\n1. Hic\u00e2z \u2022 2359
\n2. Nih\u00e2vend \u2022 2273
\n3. H\u00fczz\u00e2m \u2022 1408
\n4. Rast \u2022 1344
\n5. K\u00fcrd\u00eeli-Hic\u00e2zk\u00e2r \u2022 1275
\n6. U\u015f\u015fak \u2022 1242
\n7. H\u00fcseyn\u00ee \u2022 987
\n8. M\u00e2h\u00fbr \u2022 664
\n9. Muhayyer-K\u00fcrd\u00ee \u2022 614
\n10. Hic\u00e2zk\u00e2r \u2022 605
\n11. Seg\u00e2h \u2022 601
\n12. Karc\u0131\u011far \u2022 588
\n13. S\u00fbzn\u00e2k \u2022 505
\n14. Sab\u00e2 \u2022 431
\n15. Acem-A\u015f\u00eeran \u2022 401
\n16. Acem-K\u00fcrd\u00ee \u2022 361
\n17. Muhayyer \u2022 359
\n18. B\u00fbselik \u2022 346
\n19. Evc \u2022 315
\n20. Bay\u00e2t\u00ee \u2022 309
\nToplam 16.987
\n\u015eeklinde belirlenmi\u015ftir. (8)
\nBu tablodan hareketle \u00fcst\u00e2d\u0131n bestelerini de\u011ferlendirdi\u011fimizde, onun 41 makamla en \u00e7ok eser verdi\u011fi Hicaz
\nmakam\u0131, ayn\u0131 zamada mus\u0131k\u00ee repertuvar\u0131m\u0131zda da toplam 2359 eserle en \u00e7ok beste yap\u0131lan makam\u0131d\u0131r.
\nRepertuvar\u0131m\u0131zda say\u0131sal olarak ikinci makam olan Nihavent\u2019 ten \u00fcst\u00e2d 25 eser yapm\u0131\u015ft\u0131r.Ayr\u0131ca, bu listede
\nbulunan K\u00fcrdilihicazk\u00e2r, Rast ve H\u00fczzam , H\u00fcseyn\u00ee,U\u015f\u015fak ve Hicazk\u00e2r\u2019 dan da olduk\u00e7a eser besteleyen
\nTanr\u0131korur\u2019 un di\u011fer bestelerine bakt\u0131\u011f\u0131m\u0131zda pop\u00fcler makamlardan ziyade, kl\u00e2sik ekol\u00fcm\u00fcz\u00fcn kulland\u0131\u011f\u0131 ve
\nbestecilerimice daha az tercih edilen makamlara ra\u011fbet etti\u011fini g\u00f6r\u00fcr\u00fcyoruz.
\nMesela , Ni\u015f\u00e2burek, D\u00fcg\u00e2h, Evc\u00e2ra, \u015eehnaz, Z\u00e2vila\u015f\u00eeran, Beyat\u00eearab\u00e2n, \u015eevkefza, Neveser, Sultaniyegah,
\nNikriz ve az kulla\u0131lan di\u011fer bir \u00e7ok makamdan de\u011fi\u015fik formda s\u00f6zl\u00fc ve saz eserleri bestelemi\u015ftir.
\nK\u0131ymetli \u00fcst\u00e2d\u0131m\u0131z\u0131n kulland\u0131\u011f\u0131 formlara gelince, s\u00f6zl\u00fc bestelerinin b\u00fcy\u00fck \u00e7o\u011funlu\u011funu \u015fark\u0131 formunda
\nyapm\u0131\u015ft\u0131r. Bunun yan\u0131nda,kl\u00e2sik mus\u0131kimizin K\u00e2r, Beste, A\u011f\u0131r ve Y\u00fcr\u00fck Semai ile, K\u00e2r-\u0131 N\u00e2t\u0131k, Mersiye,
\nGazel, Mevlev\u00ee Ayini, \u0130l\u00e2hi gibi formlar\u0131n\u0131 da olduk\u00e7a fazla eser \u00fcretmi\u015ftir. Hatta bestelerinde t\u00fcrk\u00fc formunu
\ndahi kullanm\u0131\u015f ve bunlarda da \u00e7o\u011funlukla H\u00fcseyni makam\u0131n\u0131 kullanm\u0131\u015ft\u0131r.31 32014 Cinu\u00e7en Tanr\u0131korur\u2019un Bestelerinde Kulland\u0131\u011f\u0131 Form, Makam, Usuller ileG\u00fcfte veG\u00fcfte \u015eairlerine Dair Bir \u0130nceleme\u2026 Salih Zeki \u00c7avdaro\u011flu : Mus\u2026
\nhttp:\/\/www.musikidergisi.net\/?p=1251 8\/11
\nS\u00f6z mus\u0131kisi d\u0131\u015f\u0131nda , olduk\u00e7a fazla say\u0131da saz eser bestelemi\u015ftir. Bunlar\u0131n i\u00e7inde 30\u2019 dan fazla besteledi\u011fi saz
\nsemaisi en \u00f6n s\u0131rada yer al\u0131r. Saz semaileri i\u00e7inde de nihavent \u201cMehtapta yakamozlar\u201d \u0131n ayr\u0131 bir yeri vard\u0131r.
\nAyr\u0131ca, Pe\u015frev, longa, medhal ve oyun havalar\u0131 da bestek\u00e2r\u0131m\u0131z\u0131n tercih etti\u011fi formlard\u0131r.
\nSadece kl\u00e2sik mus\u0131ki formlar\u0131m\u0131zla da yetinmez ve \u00e7ok sesli m\u00fczik formlar\u0131n\u0131 da olduk\u00e7a kullan\u0131r. Maj\u00f6r ve
\nmin\u00f6r gamlarla mar\u015f, destan, et\u00fcdler besteler. Hatta yine Mehmet Akif\u2019 in \u015fiirinden yeni bir milli mar\u015f dahi
\nyapar.
\nBu eserler her halde \u00f6n\u00fcm\u00fczdeki on y\u0131llar sonras\u0131ndaki ku\u015faklar taraf\u0131ndan b\u00fct\u00fcn detaylar\u0131 ile et\u00fcd edilecektir.
\nCinu\u00e7en Tanr\u0131korur da t\u0131pk\u0131 Hac\u0131 Arif Bey ve Sadettin Kaynak\u2019 da oldu\u011fu gibi, ya\u015fad\u0131\u011f\u0131 d\u00f6nemden ziyade,
\nsonraki d\u00f6nemlerde daha bir be\u011feni ile dinlenecektir.
\nK A Y N A K \u00c7 A :
\n(1) Mustafa BALKAN, \u201c En b\u00fcy\u00fck vasf\u0131, talebe yeti\u015ftirmekti\u201d , Memleket e-gazete, 30 Haziran 2005 2005-
\n06-30
\n(2) Yal\u00e7\u0131n \u00c7ET\u0130NKAYA, \u201c Ben Sadece Bir K\u00e2ibim\u201d, Aksiyon Dergisi, 02 Kas\u0131m 1996, say\u0131: 100
\n(3) Yal\u00e7\u0131n \u00c7ET\u0130NKAYA, \u201c Ben Sadece Bir K\u00e2tibim\u201d, Aksiyon Dergisi, 02 Kas\u0131m 1996, say\u0131: 100
\n(4) Yal\u00e7\u0131n \u00c7ET\u0130NKAYA, \u201ca.g.e\u201d
\n(5) Ali OKTAY , \u201cVefat\u0131n\u0131n 9. y\u0131l\u0131nda bir m\u00fczik duayenini rahmetle an\u0131yoruz \u201c, Yeni Asya Gazetesi, 23.
\nHaziran2009
\n(6) Hilmi YAVUZ,\u201d\u0130kinci \u00d6l\u00fcm Y\u0131ld\u00f6n\u00fcm\u00fcnde Cinu\u00e7en Tanr\u0131korur\u201d,Zaman Gazetesi,28 Haziran 2002
\n(7) Be\u015fir AYVAZO\u011eLU,\u201d\u015eairler ve Bestek\u00e2rlar\u201d,Zaman Gazetesi,8 Kas\u0131m 1996
\n(8) http:\/\/www.neyforum.net\/viewtopic.php?f=90&t=4425
\nHo\u015fgeldiniz 31 32014 Cinu\u00e7en Tanr\u0131korur\u2019un Bestelerinde Kulland\u0131\u011f\u0131 Form, Makam, Usuller ileG\u00fcfte veG\u00fcfte \u015eairlerine Dair Bir \u0130nceleme\u2026 Salih Zeki \u00c7avdaro\u011flu : Mus\u2026
\nhttp:\/\/www.musikidergisi.net\/?p=1251 9\/1131 32014 Cinu\u00e7en Tanr\u0131korur\u2019un Bestelerinde Kulland\u0131\u011f\u0131 Form, Makam, Usuller ileG\u00fcfte veG\u00fcfte \u015eairlerine Dair Bir \u0130nceleme\u2026 Salih Zeki \u00c7avdaro\u011flu : Mus\u2026
\nhttp:\/\/www.musikidergisi.net\/?p=1251 10\/1131 32014 Cinu\u00e7en Tanr\u0131korur\u2019un Bestelerinde Kulland\u0131\u011f\u0131 Form, Makam, Usuller ileG\u00fcfte veG\u00fcfte \u015eairlerine Dair Bir \u0130nceleme\u2026 Salih Zeki \u00c7avdaro\u011flu : Mus\u2026
\nhttp:\/\/www.musikidergisi.net\/?p=1251 11\/11
\nHer Hakk\u0131 Sakl\u0131d\u0131r. \u00a9 2014, Musiki Dergisi. musikidergisi@yahoo.com.tr | Yaz\u0131lar (RSS) Kurulum :
\nKelebeX Tasar\u0131m<\/p>\n","protected":false},"excerpt":{"rendered":"

20 \u015eubat 1938 tarihinde, \u0130stanbul-Fatih\u2019te d\u00fcnyaya geldi. M\u00fcnir Nurettin Sel\u00e7uk\u2019un \u00f6\u011frencisi olan amcas\u0131 Mecdinevin Tanr\u0131korur\u2019dan 2.5-3 ya\u015flar\u0131ndan itibaren me\u015fk ederek m\u00fbs\u0131k\u00ee ile; bestek\u00e2r ve keman\u00ee Mustafa Sunar\u2019\u0131n ud \u00f6\u011frencisi olan annesi sayesinde de ud ile tan\u0131\u015ft\u0131. 14 ya\u015f\u0131ndayken, Ferahn\u00e2k saz sem\u00e2\u00eesi ile bestek\u00e2rl\u0131\u011fa ba\u015flad\u0131. \u0130talyan Lisesi\u2019ni ve Devlet G\u00fczel Sanatlar Akademisi Y\u00fcksek Mimarl\u0131k B\u00f6l\u00fcm\u00fc’n\u00fc bitirdikten […]<\/p>\n","protected":false},"author":2,"featured_media":390,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[],"class_list":["post-172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tema"],"_links":{"self":[{"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/posts\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/comments?post=172"}],"version-history":[{"count":0,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/posts\/172\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/media\/390"}],"wp:attachment":[{"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/media?parent=172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/categories?post=172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/tags?post=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}