![\"coskungula\"](\"http:\/\/enguru.org.tr\/wp-content\/uploads\/2016\/11\/coskungula.jpg\")
Co\u015fkun G\u00fcla, Anadolu m\u00fczi\u011finin, geleneksel ba\u011flama icras\u0131 ve yap\u0131m\u0131n\u0131n, \u00fclkemizdeki en \u00f6nemli temsilcilerinden biridir.<\/p>\nCo\u015fkun G\u00fcla, Anadolu m\u00fczi\u011finin, geleneksel ba\u011flama icras\u0131 ve yap\u0131m\u0131n\u0131n, \u00fclkemizdeki en \u00f6nemli temsilcilerinden biridir.<\/p>\n
1944 y\u0131l\u0131nda, Ankara\u2019da do\u011fmu\u015f; y\u00fcksek\u00f6\u011frenimini, Ankara \u00dcniversitesi Ziraat Fak\u00fcltesi\u2019nde, Ziraat Y\u00fcksek M\u00fchendisi olarak tamamlam\u0131\u015ft\u0131r.<\/p>\n
\u00c7ocuk ya\u015flarda ba\u015flayan ba\u011flama \u00e7alma merak\u0131, ilerleyen y\u0131llarda t\u00fcm ya\u015fam\u0131n\u0131 derinden etkiler ve ya\u015fam tarz\u0131n\u0131 belirler. Ayn\u0131 y\u0131llar i\u00e7inde, ba\u011flaman\u0131n yap\u0131m\u0131yla da yak\u0131nda ilgilenmeye ba\u015flar. Yeti\u015fti\u011fi d\u00f6nemde, halkevleri, k\u00fclt\u00fcr-sanat konular\u0131nda oldu\u011fu gibi halk m\u00fczi\u011fi alan\u0131nda da, \u00fclkenin en etkin kurumdur. Sanat\u00e7\u0131, halkevleri \u00e7al\u0131\u015fmalar\u0131nda yer al\u0131r; burada \u00e7e\u015fitli yerel sanat\u00e7\u0131larla tan\u0131\u015fma imk\u00e2n\u0131 bulur. K\u0131sa s\u00fcrede, emsalleri aras\u0131nda dikkat \u00e7eker ve e\u011fitici kadroya kat\u0131l\u0131r.<\/p>\n
O d\u00f6nemlerde iyi bir radyo dinleyicisi olan Sanat\u00e7\u0131m\u0131z, Nida T\u00fcfek\u00e7i\u2019den \u00e7ok etkilenmi\u015ftir. Asl\u0131nda bu etkilenme kar\u015f\u0131l\u0131kl\u0131 olmu\u015f, T\u00fcfek\u00e7i\u2019de sanat\u00e7\u0131n\u0131n ad\u0131n\u0131, \u00e7e\u015fitli \u00e7evrelerden duymaya ba\u015flam\u0131\u015ft\u0131r. Sonunda bir g\u00fcn Nid\u00e2 T\u00fcfek\u00e7i de\u011ferli sanat\u00e7\u0131m\u0131z\u0131n o y\u0131llarda \u00e7al\u0131\u015ft\u0131rd\u0131\u011f\u0131 Atat\u00fcrk Lisesi halk m\u00fczi\u011fi korosuna bizzat gelir ve \u00e7al\u0131\u015fmay\u0131 izlemek istedi\u011fini belirtir. Sonras\u0131nda s\u0131k\u0131 bir dostlu\u011fa d\u00f6n\u00fc\u015fecek olan bu tan\u0131\u015fma, de\u011ferli sanat\u00e7\u0131m\u0131z ad\u0131na da \u00e7ok anlaml\u0131d\u0131r.<\/p>\n
Nida T\u00fcfek\u00e7i, o s\u0131ralarda Tar\u0131m Bakanl\u0131\u011f\u0131 b\u00fcnyesinde g\u00f6rev yapmakta olan sanat\u00e7\u0131ya, bir s\u00fcre sonra, TRT\u2019de uzman olarak \u00e7al\u0131\u015fmas\u0131 \u00f6nerisinde bulunur. Bu \u00f6neriyle birlikte bir yandan Bakanl\u0131k\u2019taki g\u00f6revini s\u00fcrd\u00fcrmeye, bir yandan da TRT\u2019de uzman olarak \u00e7al\u0131\u015fmaya ba\u015flar. TRT\u2019ye 81. d\u00f6nem olarak al\u0131nan sanat\u00e7\u0131lar\u0131n yeti\u015fmesinde o uzmanl\u0131k d\u00f6neminin pay\u0131 vard\u0131r. Uzmanl\u0131\u011f\u0131 s\u0131ras\u0131nda, \u00f6zellikle derleme bantlar\u0131 \u00fczerinde \u00e7al\u0131\u015fmalar yapar. Kaynaklardan \u00e7ok etkilenir ve bu etki onun halk m\u00fczi\u011fi anlay\u0131\u015f\u0131 ve icras\u0131 \u00fczerinde de tesir eder.<\/p>\n
1979\u2019a gelindi\u011finde sanat\u00e7\u0131, b\u00fcrokrat kimli\u011finden s\u0131yr\u0131l\u0131r ve \u00e7evresindeki pek \u00e7ok insan\u0131n, bir dershane kurmas\u0131 y\u00f6n\u00fcndeki taleplerini de dikkate alarak, \u201cM\u00fczik E\u011fitim, \u00d6\u011fretim ve Ara\u015ft\u0131rma Merkezi\u201d ad\u0131n\u0131 verdi\u011fi bir dershane a\u00e7ar. Bu dershane, kuruldu\u011fu andan ba\u015flayarak, halk m\u00fczi\u011fi ve ba\u011flama ad\u0131na ger\u00e7ek anlamda bir \u201cokul\u201d olmu\u015f, say\u0131s\u0131z \u00f6\u011frenci, sanat\u00e7\u0131 aday\u0131 hatta sanat\u00e7\u0131lar, bu merkezin sa\u011flad\u0131\u011f\u0131 e\u011fitim imk\u00e2nlar\u0131ndan faydalanm\u0131\u015flard\u0131r.<\/p>\n
Bircan Pulluk\u00e7uo\u011flu, Okan Murat \u00d6zt\u00fcrk, S\u00fcmer Ezg\u00fc, Mehmet \u00dc\u00e7er, Tolga \u00c7andar, G\u00fcl\u015fen Kutlu, Fatih K\u0131saparmak, Belk\u0131s Akkale gibi g\u00fcn\u00fcm\u00fcz\u00fcn tan\u0131nm\u0131\u015f sanat\u00e7\u0131lar\u0131yla, Musa Ero\u011flu, \u0130hsan \u00d6zt\u00fcrk gibi hocalar da, bir d\u00f6nem Co\u015fkun G\u00fcla\u2019n\u0131n bilgi ve birikiminden istifade etmi\u015flerdir.<\/p>\n
D\u00f6nemindeki \u00e7o\u011fu ba\u011flama yap\u0131mc\u0131s\u0131n\u0131 derinden etkilemi\u015f, k\u0131lavuzluk etmi\u015ftir. Musa Usta, Kemal Usta, Mehmet Usta, Zekeriya Usta gibi bir\u00e7ok yap\u0131mc\u0131n\u0131n geli\u015fmesine yard\u0131mc\u0131 olmu\u015ftur. B\u00fct\u00fcn\u00fcyle kendine \u00f6zg\u00fc bir form ve standart anlay\u0131\u015f\u0131 geli\u015ftirmi\u015f; t\u00fcr ve \u00f6l\u00e7\u00fcleri belirli bir sisteme sokmu\u015ftur. Ba\u011flama yap\u0131m\u0131nda kullan\u0131lacak malzemelerin niteli\u011fi \u00fczerine de ara\u015ft\u0131rma ve deneyler yapm\u0131\u015ft\u0131r. Bug\u00fcn T\u00fcrk m\u00fczi\u011fi konservatuarlar\u0131n\u0131n, \u00e7alg\u0131 yap\u0131m b\u00f6l\u00fcm\u00fcnce de benimsenmi\u015f olan sistemde, b\u00fcy\u00fck \u00e7apta onun \u00e7al\u0131\u015fmalar\u0131n\u0131n izleri vard\u0131r.<\/p>\n
K\u0131ymetli sanat\u00e7\u0131m\u0131z\u0131n \u00f6nem verdi\u011fi konulardan bir di\u011feri ba\u011flamalardaki tel boyu ve perde ayarlar\u0131d\u0131r. Ba\u011flamalarda sap ve tel boyu ili\u015fkilerine g\u00f6re geli\u015ftirdi\u011fi \u201cperde ayarlar\u0131\u201d \u00e7izelgesi, b\u00fcy\u00fck bir yayg\u0131nl\u0131k ve kabul g\u00f6rm\u00fc\u015ft\u00fcr. Ba\u011flamalarda kullan\u0131lacak tellerin kalitesine de \u00f6zel bir \u00f6nem vermi\u015ftir. Nitelikli s\u0131rma tellere duydu\u011fu ihtiya\u00e7la, makina m\u00fchendisi bir arkada\u015f\u0131ndan da yard\u0131m alarak, bam teli<\/u> \u00fcretmek i\u00e7in \u00f6zel makinalar geli\u015ftirmi\u015f; telleri \u00e7ap ve uzunluklar\u0131na g\u00f6re s\u0131n\u0131fland\u0131rm\u0131\u015ft\u0131r. \u00dcretti\u011fi bam telleri, benzersiz kalite fark\u0131yla, profesyonel icrac\u0131lar\u0131n, hala tercihi durumundad\u0131r.<\/p>\n
De\u011ferli sanat\u00e7\u0131m\u0131z, hocam\u0131z, halk m\u00fczi\u011fi ve ba\u011flama alanlar\u0131nda \u00f6nemli bir \u00f6nc\u00fc rol \u00fcstlenmi\u015ftir. Yeti\u015fti\u011fi ku\u015fa\u011f\u0131n bir ayd\u0131n\u0131 olarak, yaln\u0131zca gelene\u011fi s\u00fcrd\u00fcrmekle yetinmeyip, gelene\u011fi d\u00f6n\u00fc\u015ft\u00fcrme y\u00f6n\u00fcnde de b\u00fcy\u00fck \u00e7aba sarf etmi\u015ftir. Bu anlamda \u00e7ok say\u0131da akademik d\u00fczeyli mak\u00e2le kaleme alm\u0131\u015ft\u0131r.<\/p>\n
\u00c7e\u015fitli bilimsel toplant\u0131lara ve TRT Dan\u0131\u015fma Kurullar\u0131na sunulmu\u015f bildirileri; bir\u00e7ok dergi ve gazetelerde yay\u0131mlanm\u0131\u015f makale ve r\u00f6portajlar\u0131 bulunmaktad\u0131r.<\/p>\n
Co\u015fkun G\u00fcla, 30 Kas\u0131m\u00a02016 tarihinde Ankara’da vefat etmi\u015ftir.<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Co\u015fkun G\u00fcla, Anadolu m\u00fczi\u011finin, geleneksel ba\u011flama icras\u0131 ve yap\u0131m\u0131n\u0131n, \u00fclkemizdeki en \u00f6nemli temsilcilerinden biridir. 1944 y\u0131l\u0131nda, Ankara\u2019da do\u011fmu\u015f; y\u00fcksek\u00f6\u011frenimini, Ankara \u00dcniversitesi Ziraat Fak\u00fcltesi\u2019nde, Ziraat Y\u00fcksek M\u00fchendisi olarak tamamlam\u0131\u015ft\u0131r. \u00c7ocuk ya\u015flarda ba\u015flayan ba\u011flama \u00e7alma merak\u0131, ilerleyen y\u0131llarda t\u00fcm ya\u015fam\u0131n\u0131 derinden etkiler ve ya\u015fam tarz\u0131n\u0131 belirler. Ayn\u0131 y\u0131llar i\u00e7inde, ba\u011flaman\u0131n yap\u0131m\u0131yla da yak\u0131nda ilgilenmeye ba\u015flar. Yeti\u015fti\u011fi d\u00f6nemde, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8,13],"tags":[34,75,83],"class_list":["post-577","post","type-post","status-publish","format-standard","hentry","category-emek-odulu","category-onur-uyeleri","tag-coskun-gula","tag-onur-uyeleri","tag-thm-emek-odulleri"],"_links":{"self":[{"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/posts\/577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/comments?post=577"}],"version-history":[{"count":0,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/posts\/577\/revisions"}],"wp:attachment":[{"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/media?parent=577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/categories?post=577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/enguru.org.tr\/index.php\/wp-json\/wp\/v2\/tags?post=577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}